Utopia Team
Kayley Worsley
Freelance PR Consultant
Kayley Worsley
Kayley is an accomplished former journalist and a senior PR professional with experience across a range of charitable, cultural and corporate organisations. She is focused on enhancing the reputation, profile and awareness of individuals and organisations in a compelling and targeted way. Kayley has worked on a variety of high profile campaigns and is passionate about highlighting the UK’s incredible cultural sector.
Ruth Fawcett
Fundraising Consultant
Ruth Fawcett
I'm delighted to be working with Utopia and hope to bring my many years experience as a Fundraising Consultant specialising in working with small and medium sized charities to good use. I've 20 years experience in the sector and hope my experience and support can enable Utopia to grow, develop and ultimately help more people to achieve their goals.
Tom Dixon
Freelance Producer
Tom Dixon
Tom is an experienced producer and project manager specializing in arts and community work. He is also one of the Co-Artistic Directors of Handlebards
Ese Ighorae
Producer
Ese Ighorae
Ese Ighorae is an experienced arts administrator with over 10 years in fostering creative excellence and community engagement. Passionate about storytelling and cultural diversity, she is thrilled to bring her expertise as a producer to Utopia Theatre, championing innovative productions and nurturing meaningful connections with audiences and artists alike.
Rose Farrar
General Manager
Rose Farrar
Rose brings 25+ years experience in adult education including project design, people management and quality assurance to support Utopia's growth. Rose celebrates creativity and uses her skills in recruitment, learning and facilitation - and a life-long commitment to equity, diversity and inclusion through community engagement and widening participation - to ensure equal access to education and the arts.
Adriana Brancaleone
Fundraising Consultant
Adriana Brancaleone
I am a personable Trust Fundraising specialist with 16 years of experience in the voluntary sector. A relationship fundraiser through and through, as a freelance bid writer and fundraising consultant I have worked with a great variety of funders, as well as with people at all levels internally. My focus is to work closely with charities to identify current fundraising needs and challenges and deliver a plan to increase trusts income.
I get great satisfaction in knowing that a project can take place thanks to me. Fundraising is all about teamwork and the biggest reward is not the money but what it translates to on the ground.
Bola Akanbi
Participation Manager
Bola Akanbi
Bola Akanbi is a versatile creative with a proven track record in the theatre and film industries. His exceptional talent and dedication have earned him prestigious awards and recognition both nationally and internationally.
A graduate of the prestigious University of Lagos, Bola's leadership skills were evident during his undergraduate years as President of the Department of Creative Arts. His tenure set a high standard for future administrations.
Seeking to expand his expertise, Bola pursued a Master's degree in Digital and Strategic Marketing at the University of Bradford, England. This postgraduate degree equipped him with valuable skills in content distribution and audiovisual materials, further enhancing his creative capabilities.
Bola's contributions to the industry have been significant. He has directed, produced and starred in numerous notable theatre and film productions. Some of his works have been showcased on both indigenous stations and digital platforms. His groundbreaking work won the coveted Africa Magic Viewers Choice Award (AMVCA 2020), solidifying his position as a leading figure in the industry.
In addition to his filmmaking and acting pursuits, Bola has also made significant contributions to the theater world. He has acted, danced, and directed stage productions, including the 46th convocation play of the University of Lagos. His passion for sharing his knowledge has led him to facilitate workshops and classes in dance and drama
Bola Akanbi's multifaceted talents and unwavering commitment to his craft have made him a respected and influential figure in the theatre and film industries. His ability to seamlessly blend creativity, leadership, and technical expertise positions him as a driving force in shaping the future of these dynamic fields.
Judith Lennox Scott
Executive Assistant
Judith Lennox Scott
Judith has 20+ years experience working in the voluntary and community sector in Sheffield. She has been extensively involved in senior administration and secretariat, from supporting voluntary organisations nationally through to working for the fire service. She loves being part of something locally and making a small difference along the way. In her free time she doesn't mind slowly running on the gym's running machine! And she loves watching mafia/gangster and 'stage on screen' films.
Emmanuel Adetoye
Outreach and Participation Officer
Emmanuel Adetoye
(EmmyJax) is a dynamic international performing artist, visual artist and creative visionary with a Bachelor of Arts degree in Performing Arts. Over the years, Emmanuel has appeared in numerous stage and screen productions, showcasing a versatile range of skills in acting, dance and performance amongst others. His artistic journey is marked by his deep passion for creative expression, both on stage and through his visual artistry.
Emmanuel's watch word is "Creativity towards positive change". Recognized for his exceptional talent and dedication, Emmanuel is endorsed as a dance artist, choreographer and instructor by the Arts Council of England. This prestigious recognition highlights his influence and contribution to the performing arts scene, both in the UK and internationally. As a choreographer, Emmanuel's innovative dance styles fuse diverse cultural influences, bringing fresh perspectives to modern and contemporary dance.
Emmanuel is a natural leader in collaborative projects and artistic ventures. His commitment to health and fitness also complements his artistic practice, ensuring he maintains peak physical and creative performance.
Suzanne Wynne
Marketing Consultant
Suzanne Wynne
Suzanne Wynne has 20+ years' experience working in the arts industry, currently supporting organisations that do not have dedicated marketing resources and specialising in small to mid-scale work. She has previously worked at Lawrence Batley Theatre and Square Chapel Arts Centre, and recently as a freelancer with Utopia Theatre, Libellule Theatre, CircusLeeds, Speedwell Dance, Theatre Company Blah Blah Blah, Jazz North and Transform Festival.
Ellie Tallant
Digital Marketing and Communications Officer.
Ellie Tallant
Growing up as a dancer and as a recent graduate in MSc Creative and Cultural Industries Management, Ellie has a real passion for the arts and challenging perceptions within the industry to create a more empowering and inclusive space for all.
Curiosity and creativity are Ellie’s focal points throughout her work, exploring new ways of doing things and keeping the bright ideas flowing. Her experience as a freelance graphic designer over the last 10 years has allowed her to harness this, focusing predominantly on producing visual marketing materials and social media management for a range of local music-based organisations and beyond. Ellie has worked with a number of notable clients from around the Yorkshire area, from The Leadmill and University of Sheffield on our doorstep, to Pontefract Racecourse and further afield.
Utopia Board
Maxine Greaves MBE
Chair
Maxine Greaves MBE
Through her work as a practitioner and researcher with a number of agencies she has developed projects to improve the educational experience of vulnerable and socially excluded young people in South Yorkshire.
Her expertise and skills focus on the alignment of equality, inclusion and diversity agendas into sustainable knowledge development strategies, which has resulted in her presenting a number of research papers at national and international conferences.
Max Farrar
Trustee
Max Farrar
Max Farrar is a sociologist and activist who retired in 2009 as Professor for Community Engagement at Leeds Metropolitan (now Beckett) University, UK. His life-long enthusiasm for the arts started in his teens and developed at Leeds University when he was the organiser of the Student Union’s arts festival in 1969-70. Until the early 1990s he worked in Further and Adult Education, at the Harehills and Chapeltown Law Centre, for the Runnymede Trust, and as a freelance writer/photographer. His doctoral thesis examined the black-led social movements in Chapeltown, Leeds, from the early 1970s to the early 1990s. It was published as The Struggle for ‘Community’ (Edwin Mellen, 2002).
Edited books include Islam in the West — Key issues in multiculturalism (Palgrave, 2012), Debating Multiculturalism (Dialogue Society, 2012) and Teaching Race in the Social Sciences (HEA, 2006). His latest book (with Guy Farrar and Tim Smith) is Celebrate! Fifty Years of Leeds West Indian Carnival (Jeremy Mills Publishing, 2017). He is Secretary to The David Oluwale Memorial Association, a registered charity, which is distinctive in its use of all forms of art and performance in communicating messages for inclusion, diversity and social justice.
Bookey Oshin DL
Trustee
Bookey Oshin
Bookey Oshin is a qualified accountant with over 30 years experience. She is the Deputy Chief Executive at Sheffield Theatres one of the country's leading theatres. Sheffield Theatres is the largest theatre complex outside of London and is home to the world-famous Crucible, the W R G Sprague built Lyceum, and the multi-format Tanya Moiseiwitsch Playhouse.
She has finance experience in business, corporate and public sectors. Bookey is a Deputy Lieutenant of South Yorkshire and also a Guardian and Executive of the Sheffield Assay Office.
Kaltum Osman Rivers
Trustee
Kaltum Osman Rivers
Kaltum Osman Rivers is mother of four lived and worked in Sheffield since 2005.
In 2018 she was elected as the first African female councillor in South Yorkshire.
She has been an activist most of her working life and has led research in health inequality, housing, education and social care. She was also commissioner for the race equality commission in Sheffield.
She graduated with a BA in Social Anthropology, MA in Education and another MA in Sociology, Kaltum is currently doing her PhD in Sociological research study at The University of Sheffield.
Shamima Noor
Trustee
Shamima Noor
Shamima Noor is a Marketing and Communications professional based in the North of England. She is currently the Communications Co-Ordinator at Fuel.
She's worked in arts marketing for almost five years. She previously worked as the Marketing and Communications Manager at Phoenix Dance, navigating their comms strategy and steering the proverbial ship as they grappled with the impact of COVID-19. She was, prior to that, Marketing and Communications Officer at Yorkshire Dance (April 2019 - April 2020) and as the Marketing and Communications Assistant at Leeds Playhouse (July 2017 - March 2019). She has also provided freelance marketing support for companies such as Red Ladder Theatre Company, Rifco Theatre, Bradford Producing Hub and Transform Festival.
She is a CLORE Leadership Emerging Leader (Cohort 2021), a Creative Access Alumni and Arts Marketing Association member representative. She holds BA and MA degrees in English and Postcolonial Literary and Cultural Studies from the University of Leeds. Her strengths as a marketeer lie in campaign management, digital marketing and audience development. She is passionate about utilising digital tools and developing sophisticated digital strategies around video content to reach new audiences and increase diversity in the arts.
Dr Preeti Raghunath
Trustee
Dr Preeti Raghunath
Dr Preeti Raghunath is a Lecturer in Digital Media and Society at the University of Sheffield, UK. Preeti holds a PhD in Communication (2019) and a Masters in International Relations and Politics (2011), both from India. Before joining academia, Preeti worked as a print and television journalist, in organisational communications and as a researcher. She is the author of the book Community Radio Policies in South Asia: A Deliberative Policy Ecology Approach (Palgrave Macmillan, 2020), and has edited four collections exploring digital media, policy and society in various ways. Her research report ‘Hated Speech and the Costs of Freedom in India’ is part of Columbia University’s Global Freedom of Expression curriculum. Preeti has deep interest in creative expression and performance arts, as ways for individuals and communities to remain connected to their roots, sources of inspiration and showcasing their own aspirations. This is her website.
Rhonda Allen
Trustee
Rhonda Allen
I am a Research Associate at the University of Sheffield, recognised as an Inspirational Woman 2024 for my work in empowering underrepresented communities. I have authored two academic journals on Carnival culture and serve as a Youth Prevention Worker and Tutor in Community Development and Health (CDH), with extensive experience in community engagement, co-production, and cultural initiatives. A former Creative Director of Sheffield Carnival and Race Equality Commissioner, I am an experienced Carnival Costume Judge locally and internationally, including Head Costume Judge for Notting Hill Carnival 2023 and 2024. My personal journey of overcoming bullying is presently featured in an exhibition at Weston Park Museum until February 2025.
Associate Artists
Oladipo Agboluaje
Writer
Oladipo Agboluaje
Oladipo Agboluaje is a playwright and creative writing tutor. He also teaches African Drama. He is a Writing Fellow of the Royal Literary Fund and Treasurer of the African Theatre Association (AfTA). He recently adapted Ben Okri's novel, The Famished Road for Dramaten of Sweden. Other plays: Here's What She Said To Me, The Estate, Iya-Ile, The Christ of Coldharbour Lane, Immune and New Nigerians.
Maria Cassar
Movement Director
Maria Cassar
Maria trained at the Johane Casabene Dance Conservatoire in Malta. She graduated with a Ba (Hons) Dance Theatre from Trinity Laban Conservatoire of Music and Dance. Maria trained at the Johane Casabene Dance Conservatoire in Malta. She graduated with a Ba (Hons) Dance Theatre from Trinity Laban Conservatoire of Music and Dance. Maria is a dance practitioner, choreographer and movement director.
Maria believes that movement is an instinct. Her ethos as a dance practitioner is an inclusive one and she strives to make movement accessible to all. She has worked with dancers, actors, intergenerational groups and people with physical/learning disabilities.
Maria has danced for choreographers such as Tom Dale, Kerry Nicholls, Theo Clinkard, Kristina Sommerlade, Mavin Khoo, James Wilton and Sue Goodman.
In 2009 Maria founded RedTape Dance Company. Since then her work has been shown at the Bonnie Bird Theatre, Notte Bianca Malta, BluePrint Festival, Crystal Palace Arts Festival, Resolutions! London Bridge Live Arts, Sydenham Arts Festival, Ziguzajg International Youth Festival, Sadlers Wells, The London Palladium, Her Majesty’s Theatre, The Albany Theatre, Deptford, O2 Indigo, Malta Arts Festival, Intransit Festival, The Tabernacle, Royal Festival Hall, Hampton Court Palace and Tower of London.
Maria has been the recipient of the Malta Arts Fund and Malta Cultural Export Fund. She has been a recipient of Kensington and Chelsea Arts Grant and Greenshoots fund for dance work within the North Kensington youth community, in the aftermath of the Grenfell Fire.
Maria was a Laban Movement Analysis lecturer on the London Dramatic Arts course at Fordham University. She is founder of Tip Top Dance School in North Kensington. Maria co-founded Shakespeare Moves with Zoe Waites. She is the Movement teacher at Rose Bruford College on the APT course. A guest dance practitioner with StepChange Studios and a regular dance practitioner for the Royal Academy of Dance.
Jennifer Farmer
Writer
Jennifer Farmer
A queer African-American woman resident in the UK since 1998, Jennifer Farmer is writer for performance, participatory theatre-maker and facilitator who centres systematically excluded narratives and collaborates extensively with communities made vulnerable, such as young people at risk of social exclusion (The Fall of Lucifer, 2008; Truth or Dare, 2012 and 2017, both for Belgrade Theatre), womxn in prison (Compact Failure, Clean Break/Arcola Theatre/national tour, 2004), refugees (Hear My Voice, Theatre Royal Stratford East), OAPs (Urban Dreams, London Bubble, 2008), young people with dyslexia (Turtle Key Arts), users of the mental healthcare system (V&A Museum) and intergenerational community groups (City Final, site-specific, 2018, Belgrade Theatre). Other work includes: Looking At the Sun (BAC Opera Season, 2001), clean (BBC Radio 3, 2003), 270° (Paines Plough, Young Vic, 2004), A Million Different People (BBC Radio 4, 2005), words, words, words (Tricycle Theatre, 2006), Bulletproof Soul (Birmingham Rep, 2007), Stutter (Hotbed Festival, 2008), These Four Streets (Birmingham Rep, 2009), Eating Our Words (Camden People’s Theatre, 2012), Waltzing Tomatoes (Ithaca Gallery, USA, 2013 and international festivals), Between Constellations (Pittsburgh Festival Opera, USA; Grimeborn Festival, Arcola Theatre, 2018), another city (will be our garden) (Toynbee Studios, 2021).
With a dedication to creating work that is socially engaged and urgent, Jennifer’s current projects include enoa, Britten Pears Arts, and Les Theatres de la Ville de Luxembourg-supported Link In My Bio, a new, interactive opera on the impact of the global rise of the Alt-Right, How Far Apart, a new play commissioned by Utopia Theatre and supported by Sheffield Theatres, the Wellcome Trust and the Royal College of Obstetricians and Gynaecologists, which examines the impact medical racism has on Black women's experience of childbirth, as well as the dream(ing) field lab, a new commission from Season of Change, Julie’s Bicycle and Artsadmin which utilises radical Black imagination and Afro-futurism movements to facilitate women and femmes of the African Diaspora in re-visioning their relationship with land and environmental inequality. Jennifer’s plays are published by Oberon/Bloomsbury, Samuel French and Josef Weinberger Plays.
Currently an Associate Lecturer at Goldsmiths and Central School of Speech and Drama, Jennifer has lectured at Kingston University, the University of Greenwich, Guildhall School of Music & Drama, and London South Bank University, and has facilitated workshops for many of the UK’s theatre and arts organisations such as the National Theatre, Frantic Assembly, Almeida Theatre, Soho Theatre and the Royal Court. At Central, Jennifer teaches on the ethics of working with communities made vulnerable, centring under-recognised narratives, and the dangers of art-washing and white saviourism.
Lee Affen
Musician
Lee Affen
Lee Affen is a multi-instrumentalist composer and sound designer working on an extensive catalogue of projects in theatre, dance and film. He finds inspiration in stories that need to be told and translated into impactful, challenging and accessible art.
Lee’s work includes Imagine If’s Jadek, Fallen Angels’ collaboration with Birmingham Royal Ballet The War Within, John-Rwoth Omack’s Far Gone in assoc. with Utopia Theatre, and the BBC 3 Show Amazing Humans. He collaborates regularly with Sheffield Theatres, Theatr Clwyd and The Dukes Theatre.
Juwon Ogungbe
Musician
Juwon Ogungbe
Juwon Ogungbe is an inspiring and well respected musician, singer and composer from London.
Placing African music at the heart of his work, Juwon also incorporates opera and classical music into his expressive range.
Juwon has composed commissioned works for London’s Southbank Centre (as part of the Africa 05 Festival) and for theatre productions at the Royal Shakespeare Company, Manchester Royal Exchange Theatre, BBC Radio Drama, Greenwich and Docklands Festival and for the New York based Theatre for a New Audience, amongst many others. His theatre music directing career includes work done for the Royal Court Theatre, West Yorkshire Playhouse and the Royal National Theatre.
Juwon’s recorded output includes an album – Life Force Music, two singles released in 2017 and collaborations with The London Lucumi Choir. He has toured in recent years to several film festivals in the UK, performing his own music with two African silent movies from the colonial era. In 2017 Ogungbe curated Ignatius Inspires – a season of creative work that used as a stimulus the output of Ignatius Sancho – the first Black composer to ever have his music published.
In 2018, Juwon started composing an opera – The Pied Piper of Chibok which was presented as a work in progress at Opera North and the Grimeborn Opera Festival.
King Solomon and the Queen of Sheba – Juwon’s most recent music theatre piece was premiered in 2019 and several new works of his have been publicly performed in 2020.
Ogungbe’s singing career encompasses music from several cultures, including Classical and Contemporary Art Music, African Music genres, Jazz and Popular Music.
Website: www.juwonogungbe.com
Soundcloud: https://soundcloud.com/juwon-ogungbeJulius Obende
Artist
Julius Obende
Julius, a consummate actor, dancer, choreographer and percussionist with over a decade of experience, is Utopia Theatre’s Associate Artist. He has just concluded a tour of Anna Hibiscus’s Song with the Utopia Theatre. Before moving to the UK, his passion and professionalism earned him great acclaim as one of the most sought-after performers in Lagos, Nigeria. Julius has been a consistent performer, playing major roles in most Bolanle Austen-Peters’ Productions at Terra Kulture.
- Choreographer for ‘PUNCTUATION’ for the Goethe Institute’s Lagos Live Festival in 2016 and again in 2018 at the Ubumuntu Arts Festival, commemorating the Kigali genocide in Rwanda.
- Actor in a tour of Kao and Abuja for the Rule of Law and Anti-corruption Program of the European Union and British Council in Lagos on anti-corruption, the criminal justice system and sexual and gender-based violence.
- Choreographer and actor in ‘Queen Moremi - The Musical Reloaded' in 2019.
- Producer and director of Wole Soyinka’s Child Internationale commissioned by CHEVRON Nigeria for the MUSON Festival in 2022.
- Festival coordinator for the first annual KIFT- Kininso International Festival of Theatre for Children, attracting over 2000 children across Lagos. In its 4th edition, the self-funded festival is a commitment to Nigerian children for a one-of-a-kind theatre festival in Nigeria where performances and workshops are specifically and specially created for children.
Julius has also worked with International directors and facilitated workshops in Rwanda and Germany and will be bringing this wealth of experience and energy to Utopia Theatre.